This project showcases student project work from Japan and the World, a modern Japanese history course offered at Kanda University of International Studies. It focuses on important themes and individuals from the Meiji (1868-1912) and Taisho (1912-26) periods, when Japan was beginning to open to the world after centuries of government-enforced isolation.

All submissions are researched, whether in English or Japanese, and references provided. Comments responding to and exploring ideas, suggesting connections or further reading, are most welcome. As entries are written by non-native English speakers, please refrain from non-constructive comments about language use.

Blog editor/ course designer: Caroline Hutchinson

Thursday 29 January 2015

Ernest F. Fenollosa

Ernest Fenollosa
by Yusuke Suzuki

Introduction

Do you know Ernest Fenollosa? He was a non-Japanese who most loved the Japanese art in the world. He was a professor of philosophy and political economy at Tokyo Imperial University. As you can see, he was not related to art. In addition, he was not artist, and he had not done the art since 24 years old. However, he will be protecting the Japanese art from Japanese throughout history. That’s such unbelievable thing, because why did non-Japanese people protect the Japanese art from Japanese? It has a very shocking reason.

Personal History

Ernest Fenollosa was born in U.S in 1853. He was a very smart person. He studied philosophy and sociology at Harvard College, and he graduated at the top of the class. Then, he became interested in the art little by little.

After graduating, he was 24 years old; He went to the art school attached to Boston museum. However, his father committed suicide in the next year. He got shock, and he left the U.S and came to Japan. After coming to Japan, he came across the Japanese statue of Buddha, and Ukiyoe “浮世絵” (woodblock prints - Ed) immediately. Ironically, if his father had not died, he might not have come to Japan. In Japan, he taught political economy and philosophy at Tokyo Imperial University as a hired foreigner (oyatoi-gaikokujin) and investigated the Japanese art.

His Achievements

His biggest achievement was protecting Japanese art from a stupid Japanese movement. The Meiji government destroyed Japanese art after the Meiji Restoration, and in particular so many of statues of Buddha and Buddhist pictures were scrapped. That movement was called Haibutsu-Kisyaku “廃仏毀釈”. So many statues and pictures were scrapped, temples were destroyed, and Buddhist priests were forced to change a job by the government during the movement. It is like we were prohibited from eating Japanese food at this time. That’s so terrible. I can’t stand it. However, Japanese people did it at that time.

As a result, Japan lost huge amount of cultural assets. Meiji government was on the point of giving the power to the Shinto and Meiji Emperor. So, they prohibited the Buddhism. It was the reason why this movement was happened. Japanese denied its own culture. That is so ridiculous. I was also shocked at this happening, the same as Fenollosa.

Fenollosa gave an impassioned speech about the wonderfulness of Japanese art for Japanese and tried to create a movement. It took a long time. However, many Japanese noticed that by his effort. His passion for the Japanese art is so strong. For example, He named his son “Kano”. It means Japanese famous Japanese art denomination “Kano-ha” “狩野派”. In addition, he changed his religion from Christian to Buddhist. That is amazing.

Conclusion

I was glad to know about Fenollosa, because I like Japanese culture very much. Japanese art is so touching work and beautiful. Recently, I heard many times that many other countries' tourists are interested in Japanese culture and art. If Fenollosa hadn't come to Japan, Japanese culture might be changed. Fenollosa is the hero of Japanese art.


References

Bungei jankii paradaisu [Literary Junkie Paradise], (n.d.). Nihon no onjin Fenerosa [A benefactor of Japan, Fenollosa]. Retrieved 19 January 2015, from http://kajipon.sakura.ne.jp/kt/haka-topic36.html 

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